An Epochal Analysis on Colonial Trauma in Independent Documentaries: Jeju Prayer as Study Case
Abstract
This paper departs from Raymond Williams’ notion of ‘epochal analysis,’ an analysis that functions to see a cultural process as a cultural system in the dialectic of the dominant, the residual, and the emergent. It is true that what Williams meant by ‘the dominant’ in his proposition is either the feudal culture and the bourgeois culture and their transition, but he also says that the epochal analysis functions to sense a movement in its connection to the future and the past. Williams wrote (1978, p. 121): “…Its methodology is preserved for the very different function of historical analysis, in which a sense of movement within what is ordinarily abstracted as a system is crucially necessary, especially if it is to connect with the future as well as with the past.
Keywords : documentary, trauma, dominant fiction, psychoanalysis
Downloads
This work is licensed under a Creative Commons Attribution-ShareAlike 4.0 International License.
Authors retain copyright and grant the journal right of first publication with the work simultaneously licensed under a Creative Commons Attribution-ShareAlike International License (CC-BY-SA 4.0) that allows others to share the work with an acknowledgement of the work's authorship and initial publication in this journal.
Authors are able to enter into separate, additional contractual arrangements for the non-exclusive distribution of the journal's published version of the work (e.g., post it to an institutional repository or publish it in a book), with an acknowledgement of its initial publication in this journal.
Copyright without Restrictions
The journal permits the author(s) to hold the copyright without restrictions and will hold distributing rights without limitations.
The submitted papers are assumed to contain no proprietary material unprotected by patent or patent application; responsibility for technical content and for protection of proprietary material rests solely with the author(s) and their organizations and is not the responsibility of the Ultimart: Jurnal Komunikasi Visual or its Editorial Staff. The main (first/corresponding) author is responsible for ensuring that the article has been seen and approved by all the other authors. It is the responsibility of the author to obtain all necessary copyright release permissions for the use of any copyrighted materials in the manuscript prior to the submission.